by Laura Sobbott Ross
For Skittish, Wild Things
Possessed by it, they rush off, whirl madly in circles,
or stand still, as if turned to stone
—Walter F. Otto, Dionysus: Myth and Cult
You live in a rowhouse downtown
where you say there’s voodoo and mold.
The Lord’s Prayer hangs in a frame by the door.
People move as if underwater here.
The neighborhood, a fluorescent grid,
buzzing, nettled in moths,
the collective croon of places where nothing
bigger than a twenty-dollar bill stays in the drawer
of a cash register, and pasties are the standard
issue of decorum for grieving expanses of skin.
You sleep while the sun levitates,
bitter and dreamless. Bruised, feeding on
smoke rings, you’ll remember none of it.
I keep a broken piece of your girlhood,
warm beneath my sternum, where it lies sacred,
a relic offered in petition to the saints.
Despise sounds like a plateau, don’t you think?
A natural habitat for skittish, wild things,
and not a word a girl would use against herself—
the chafing bones, the abiding taste of iron in her
throat. Didn’t I knit you whole in small stitches—
jangling needles and pink chords, a consortium
of soft lies? Sometimes I think about the cat—
a calico you’d loved and released to the trance
inside its own girl-cells. Wary, and left
to skulk oily puddles, kibble of glass and flint.
Moon throbbing like a car alarm.
Not fixed, you might say about the calico,
meaning the unaltered state that opens
one into another and another,
each strung on a sticky thread of afterbirth.
Pink fanged mouths poised in the night to suckle.
Their small, winded bodies, soft as warm bread.
Purge
I. Cutting
I think I can understand
the need for darkness
to howl open into a wound.
Better yet, the equilibrium
in someone else’s wide-eyed recoil:
What have you done to yourself?
Your skin, a soft palette beneath which
you’ve hardened. A canvas of deft strokes
razored in red. Nettles sting my tongue
when I try to speak about it, dark seeds
choked across my pillow. Gauze,
a flimsy construct between your room
and the hospital that terrible night
we got the call from your landlord.
The same lines carved into the dashboard
later when we took back your car. Letters
whose sharp strokes ran intersections: Fuck you
and it’s what I thought at red lights when I knew
some stranger might be watching me cry.
II. January Super Blood Wolf Moon
Purge. It’s been said about this
particular lunar energy—
Bald magnet, who could miss it,
red and heaving the tides?
My back is swept with shingles—
a word that feels barnacled,
as if I were a pier footing,
a shell, a hull in the shape of a woman
and her daughter in a window.
Stupid January super blood wolf moon.
If only it was fiction— these things
my daughter is telling me, terrible things
she’s rocked and tended inside
a ribcage hinged and swinging wide.
Her words, a coil of ash, like one of those
cheap gimmick fireworks— black snake
that just keeps writhing out, volumetric
slag ribbon expanding against a red moon
held like the smoldering tip of a match.
She speaks and speaks, and I arc and char.
Image by Erika Lowe on Unsplash
Comments
One response to “Two Poems”
I don’t know what to say about “Purge”, and I have devoted my life to words. That really spoke to me, in an arcing and charring way.